Research & EducationDesign Anthropological Futures
Creative Direction & Concept • Design & Creative Production • Operations & Management •  
Aarhus University — School of Communication and Culture
2016

Unfolding Studio is an interdisciplinary practice working globally across architecture, design, communications, and cultural production.

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Selected projects
Copenhagen Architecture Biennial Research & Strategy • Creative Direction & Concept • Brand & Narrative • Design & Creative Production • Operations & Management •  
Strange Adaptions Spatial & Experience Design • Brand & Narrative • Design & Creative Production • Operations & Management •  
Commission on CircularityCreative Direction & Concept • Spatial & Experience Design • Brand & Narrative • Design & Creative Production • Operations & Management • 
Interalia Studio Research & Strategy • Creative Direction & Concept • Brand & Narrative • Design & Creative Production • Operations & Management • 
FOODSCAPESSpatial & Experience Design • Brand & Narrative • Design & Creative Production • Operations & Management • 
Make Do With Now Spatial & Experience Design • Brand & Narrative • Design & Creative Production • Operations & Management • 
Copenhagen Architecture ForumResearch & Strategy • Creative Direction & Concept • Brand & Narrative • Design & Creative Production • Operations & Management • 
Coastal ImaginariesSpatial & Experience Design • Brand & Narrative • Design & Creative Production • Operations & Management • 
Copenhagen Architecture Festival XCreative Direction & Concept • Brand & Narrative • Design & Creative Production • Operations & Management • 
København, Kærlighed & CandyflossResearch & Strategy • Creative Direction & Concept • Spatial & Experience Design • Design & Creative Production • Operations & Management •  
One Shared House 2030Research & Strategy • Research & Strategy • Research & Strategy •  
Archive
Design Anthropological Futures is an edited academic volume published by Bloomsbury, commissioned by Aarhus University's School of Communication and Culture and edited by researchers from its Department of Information Science, the Centre for Interacting Minds, and the Department of Anthropology.

The book examines design anthropology's growing focus on the future — what the discipline is, and what it is becoming — organised into four sections: Ethnographies of the Possible, Interventionist Speculation, Collaborative Formation of Issues, and Engaging Things. Together they develop the field's central theoretical and methodological questions around how future knowledge gets produced through design. The book treats "the real" as something bound to time — past, present, and future together — made up of contexts, people, and things caught up in design processes and in collaborative, material intervention.

The cover carries that idea directly: an aerial photograph taken through an airplane window, a landscape seen from above with a faint contrail crossing the sky, set against a gradient running from mossy yellow-green into cool sage. Read at a distance, the landscape below becomes abstract, almost illegible — a speculative space of reflection and possibility, the vantage the book's own title points toward.

The book's visual identity and design were led by the team together, working collectively across its concept, art direction, and production.
Creative Direction & Concept
Art Direction
Concept Development

Design & Creative Production
Book Design
Photography
 
Operations & Management
Project Management


Team: 
Valeria Granillo, Romain Gorisse, Sofie Mietke, Sarah Nielsen, Stine Nygaard.


Design Anthropological Futures
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